Didier Awadi stands against EU-African pact
Senegal’s Didier Awadi, formerly of the pioneering Hip-Hop act Positive Black Soul, has made a strong stand against the Economic Partnership Agreement between the EU and the ACP (Africa, Caribbean and Pacific) countries. Like many people, he feels it is too heavily balanced in favour of the EU. The debate is a very complex one, involving international trade, aid, GATT and the World Trade Organisation.
Awadi has recorded “On ne signe pas” (we’re not signing) to highlight the issue, which has already been addressed by numerous bodies. Ultimately, Awadi feels that the pact will make African more dependent on Europe rather than more independent. It requires substantial access to African markets in exchange for freer trade. Many people argue that what is needed is more support for African business rather than the arrival of well-financed competitors. To see the clip of “On ne signe pas”, visit Studio Sankara.
From having seen them a few months ago, I can safely say that France’s Orchestre National de Barbès is one hot live band. They have been gigging for years already, spreading their raï sounds across Europe. The band recently signed with the French indie label Wagram, and a new album, “Alik”, is foreseen in February of next year.
One of the most impressive Hip-Hop producers outside the US happens to be one of the least known. Lord Ekomy N’dong is an innovative producer from Gabon that offers one of the savviest combinations of African sounds and a massive contemporary Hip-Hop vibe. His first album, “L’Afrikain”, played on a loop in our office two years ago. He is now back with a new one, “On détient la harpe sacrée, Tome II” (We hold the sacred harp, volume II) and a first major show in Paris at the Elysée Montmartre on December 21 with Maât Seignieur Lion. This is conscious Hip-Hop with a funky and rootsy twist. Highly recommended. For details and music, check 
The French Hip-Hop duo Les Nubians will be appearing in New York before the New Year. The sisters play a neat style that has been summed up as “Afropean hip-hop with R&B”, singing in French and English. ‘Princesses Nubiennes’ (Higher Octave/Virgin) was the most successful French-language album in more than a decade of Billboard charts. Since then, they have traveled the world, soaking up the sounds of reggae, afro-beat, pop and electronica while collaborating with a host of respected musicians.
