Checkpoint 303: Free music from occupied territories
Apart from the Chehadé brothers, I had never really thought about Palestine as a source of music - and certainly not electronic music. Mea culpa. Checkpoint 303 are a Franco-Palestinian-Tunisian collective that create electronic music using field recordings of life in the occupied territories. Although not overtly political, the sounds they use are often of demonstrations, bullets being fired and voices through megaphones. They combine this with snippets of news reports (most effectively in “Needle Stuck on Lebanon”). Add a touch of oud-playing and you get a rich sound with an overlay of drama.
Checkpoint 303 are about to play a number of dates in Palestine, including a special event at the Beit Hanina college in East Jerusalem for the international Fête de la Musique on June 23. Check their MySpace page for updates, or download their music on Checkpoint 303.
With a title that is sure to get lots of search engine activity, Crammed Discs have started opening their archives. The European label is known for its cosmopolitan genre-bending style such as Bebel Gilberto (see below), the early Zap Mama and Taraf de Haidouk. In the eighties and nineties, they also had a successful electronic imprint called SSR (Sampler Sans Reproche - Sampling without fear). The virtual twin-set includes material such as the Matthew Herbert remix of a Hector Zazou/Harold Budd track, a Snooze remix by Isolée, a track off the long-deleted DJ Morpheus vs Bassbin Twin vinyl EP, sonic terrorist Meira Asher, London jazz/dope beats heads Elixir, Japan’s Tao, Phosphorus and their dreamy, soundtrack-like trip-pop and Finland’s minimal/glitch pioneer Aural Expansion.