Movaizhaleine, probably the best hip-hop outfit on Africa’s West Coast, have created a viral hit with “Quaffffoutre”. They used a sample of the Gabonese president saying “Moi, je n’ai qu’à foutre” (me, I don’t give a shit) and looped it. As France and Gabon are having a little push and pull for the moment, the clip features the Gabonese president, Nicolas Sarkozy, Jacques Chirac and the French Socialist Ségolène Royal. Fun.
Although it was only released in Belgium, one of our favourite albums in 2007 was “Hotel Impala” by Baloji. This Belgian rapper of Congolese origin has created an album that spans Hip-Hop, 70s soul, Afro Beat and chanson - quite a programme. The breakout single was “Congo”, a 7-minute masterpiece.
Baloji will be bringing his show to the Cafe de la Danse in Paris (5 Passage Louis Philippe, 75011) on February 15 before travelling around France later.
Click through for the full dates in France and Switzerland and the full version of “Congo”.
Senegal’s Didier Awadi, formerly of the pioneering Hip-Hop act Positive Black Soul, has made a strong stand against the Economic Partnership Agreement between the EU and the ACP (Africa, Caribbean and Pacific) countries. Like many people, he feels it is too heavily balanced in favour of the EU. The debate is a very complex one, involving international trade, aid, GATT and the World Trade Organisation.
Awadi has recorded “On ne signe pas” (we’re not signing) to highlight the issue, which has already been addressed by numerous bodies. Ultimately, Awadi feels that the pact will make African more dependent on Europe rather than more independent. It requires substantial access to African markets in exchange for freer trade. Many people argue that what is needed is more support for African business rather than the arrival of well-financed competitors. To see the clip of “On ne signe pas”, visit Studio Sankara.
On December 15, 2007, a trio of music heavyweights, Wyclef-Jean, Jimmy Rosemond and Akon will travel to Haiti for a charitable endeavor spearheaded by Mr. Rosemond and Wyclef Jean. Yele Fest will tour local schools and the notorious child prison in Port-au-Prince to shed light on the current plight in Haiti of increasing poverty, weakened education, medical care, nutrition and housing. Yele Fest was organized to bring musical artists to Haiti to help promote tourism and convey the message that the country is safe and the doors are open for people to experience the music and art of Haitian culture.
One of the most impressive Hip-Hop producers outside the US happens to be one of the least known. Lord Ekomy N’dong is an innovative producer from Gabon that offers one of the savviest combinations of African sounds and a massive contemporary Hip-Hop vibe. His first album, “L’Afrikain”, played on a loop in our office two years ago. He is now back with a new one, “On détient la harpe sacrée, Tome II” (We hold the sacred harp, volume II) and a first major show in Paris at the Elysée Montmartre on December 21 with Maât Seignieur Lion. This is conscious Hip-Hop with a funky and rootsy twist. Highly recommended. For details and music, check Movaizhaleine.
The French Hip-Hop duo Les Nubians will be appearing in New York before the New Year. The sisters play a neat style that has been summed up as “Afropean hip-hop with R&B”, singing in French and English. ‘Princesses Nubiennes’ (Higher Octave/Virgin) was the most successful French-language album in more than a decade of Billboard charts. Since then, they have traveled the world, soaking up the sounds of reggae, afro-beat, pop and electronica while collaborating with a host of respected musicians.
Lion’s Den, 214 Sullivan between Bleecker & W. 3rd, NYC
Fri. Dec. 28th
8:30pm Doors
In terms of diversity and colour, nothing beats African rap. We just got news that the South African band Black Noise will be appearing in Oslo, Norway on October 17 as part of the Oslo Celebrations. More specifically, they will be providing music, DJing and capoeira for an African fashion show at the Georg Sverdrups Hus (University Library), University of Oslo. Get more details here.
Find their three albums on iTunes:
We just heard the first single from Original Uman’s album “L’aventure c’est l’aventure”. Uman made a mark for himself first with la Puta Madre and later as a toaster. The single “184 centrimetres” is a Hip-Hop workout in French with notes of accordion. The rest of the album promises “Jamaican rhythms”, with the label making comparisons with Serge Gainsbourg, no less. Check his music on MySpace/Uman.
Created in 1998 by two Iraqi brothers brought up in France, Aiwa is one of the most exciting fusion/electronic outfits. Musically, they mix Classical Arabic sounds with heavy dub/electronic grooves and ultra-suave rap. They have released two albums “Aiwa” and “El Nar” (photo), with an album of remixes of “Aiwa” in the pipeline - more about this later.
Aiwa are about to take to the road again, playing a number of dates in France and Poland:
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COMPLEXE CULTUREL | CHAUMONT | ||
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CDQ | WARSAW | ||
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PIWNICA | POZNAN | ||
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MOZG | BYDGOSZCZ | ||
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ZAK | GDANSK |
To check out their music, visit Aiwa Music.
It might just sound like some place on a map, but Uganda also has its “yoof”. And they have things to say - which is hardly surprising when you see the chaos they have to deal with. Like in most African countries these days, Hip-Hop acts as the pressure valve, social commentary and popular entertainment. Check this teaser of a documentary about Ugandan Hip-Hop. As one guy points out, “they’re not interested in listening to bling-bling”. We have that much in common, then.
First spotted on African-Rap.com.
Rappers are doing it for themselves! Although there is a perception that rap artists roll around in Mercs drinking Crissy with their female companions, the reality is different. In Europe particularly, they have only themselves to rely on. There are big labels, but rap is not their priority.
So performers have to make sure their name is out there, by doing shows and promoting their work. “Bunny” Benaissa is a Moroccan-born rapper working in Germany. In addition to producing his own material, he also produced a clip for the track “Set Language”. Is this the way forward? For many performers, the answer is “yes”. But it means that they must become mini-labels in their own right. And not everyone has what it takes to produce videos, promote endlessly, book gigs, etc. <>
<>What’s cool in the case of Benaissa is that if you download the track (for just 25c), you can sell it from your own site, blog or mailing list. Check it out.
