Didier Awadi stands against EU-African pact
Senegal’s Didier Awadi, formerly of the pioneering Hip-Hop act Positive Black Soul, has made a strong stand against the Economic Partnership Agreement between the EU and the ACP (Africa, Caribbean and Pacific) countries. Like many people, he feels it is too heavily balanced in favour of the EU. The debate is a very complex one, involving international trade, aid, GATT and the World Trade Organisation.
Awadi has recorded “On ne signe pas” (we’re not signing) to highlight the issue, which has already been addressed by numerous bodies. Ultimately, Awadi feels that the pact will make African more dependent on Europe rather than more independent. It requires substantial access to African markets in exchange for freer trade. Many people argue that what is needed is more support for African business rather than the arrival of well-financed competitors. To see the clip of “On ne signe pas”, visit Studio Sankara.
From having seen them a few months ago, I can safely say that France’s Orchestre National de Barbès is one hot live band. They have been gigging for years already, spreading their raï sounds across Europe. The band recently signed with the French indie label Wagram, and a new album, “Alik”, is foreseen in February of next year.
One of the most impressive Hip-Hop producers outside the US happens to be one of the least known. Lord Ekomy N’dong is an innovative producer from Gabon that offers one of the savviest combinations of African sounds and a massive contemporary Hip-Hop vibe. His first album, “L’Afrikain”, played on a loop in our office two years ago. He is now back with a new one, “On détient la harpe sacrée, Tome II” (We hold the sacred harp, volume II) and a first major show in Paris at the Elysée Montmartre on December 21 with Maât Seignieur Lion. This is conscious Hip-Hop with a funky and rootsy twist. Highly recommended. For details and music, check 
The French Hip-Hop duo Les Nubians will be appearing in New York before the New Year. The sisters play a neat style that has been summed up as “Afropean hip-hop with R&B”, singing in French and English. ‘Princesses Nubiennes’ (Higher Octave/Virgin) was the most successful French-language album in more than a decade of Billboard charts. Since then, they have traveled the world, soaking up the sounds of reggae, afro-beat, pop and electronica while collaborating with a host of respected musicians.
With Middle East talks more or less on track, the Palestinian-Tunisian outfit Checkpoint 303 have released a new tune to the web called “Gaza Calling”. As a reminder, Gaza has been the subject of an air, land and sea blockade by Israel since Hamas took over there and following repeated missile attacks from the territories. “Gaza Calling” is based on a man’s attempt to get through to the UN to explain the living conditions there.
Romania’s Taraf de Haidouks will be making a special appearance on the France Inter radio show “Le Pont des Artistes” on Saturday Nov 24. What’s the big deal? The release of a new album, called “Maskarada”. Over the years, countless musicians have taken their inspiration from Central European gypsy music. So now this Balkan big band are turning the tables and covering the music of Bartok, Khachaturian, Manuel de Falla, Kosma, Ketelbey, Albeniz and Liszt. Click through for links
In terms of diversity and colour, nothing beats African rap. We just got news that the South African band Black Noise will be appearing in Oslo, Norway on October 17 as part of the Oslo Celebrations. More specifically, they will be providing music, DJing and capoeira for an African fashion show at the Georg Sverdrups Hus (University Library), University of Oslo. Get more details 
We just heard the first single from Original Uman’s album “L’aventure c’est l’aventure”. Uman made a mark for himself first with la Puta Madre and later as a toaster. The single “184 centrimetres” is a Hip-Hop workout in French with notes of accordion. The rest of the album promises “Jamaican rhythms”, with the label making comparisons with Serge Gainsbourg, no less. Check his music on 
We saw the Pascal Schumacher Quartet again just before the summer. What can we say? They are still as tight, bright and melodious. So they are STILL our n° 1 hot ticket in jazz. Since then, they have released a new album of cool jazz called “Silbregrau” on the Igloo label. Click through for the European and Australian dates.
As mentioned below, the death of Mamadou Konte was a great loss to African music (and indeed the US and European music fans that enjoyed the acts he promoted). The company he created, Africa Fête, is however continuing. On September 9 and 15 next, they are putting together a special homage to Konte with a selection of acts based in the south of France: these include Toko Blaze (photo right), Oumar Kouyaté, Sayon Bama Camara, Afro Latin Jazz Concept and others.
Apart from the Chehadé brothers, I had never really thought about Palestine as a source of music - and certainly not electronic music. Mea culpa. Checkpoint 303 are a Franco-Palestinian-Tunisian collective that create electronic music using field recordings of life in the occupied territories. Although not overtly political, the sounds they use are often of demonstrations, bullets being fired and voices through megaphones. They combine this with snippets of news reports (most effectively in “Needle Stuck on Lebanon”). Add a touch of oud-playing and you get a rich sound with an overlay of drama.