Manou Gallo

 

 

Manu Gallo: the rhythm gal

 

Manou Gallo in concert

The Ivory Coast bassist and percussionist Manou Gallo originally came to Europe to play with the “afropella” group Zap Mama. After several years with the band, her solo career kicked off with the album Dida (2005). She has also been the subject of a musical documentary, “Femme de rythme/Rhyth

m Gal” (2007) and her third album “Lowlin” was released in Europe early 2010. She has received the MTV Africa price of “Best performing artist of Ivory Coast 2009”.

Divo is where Manou Gallo was born on August 31st, 1972.  Raised by her grand-mother who looked after her like her own daughter, Manou was rather autonomous from early on: ‘At the time, I was living like a little savage.  I helped cultivate the fields and draw water from the well. I wasn’t going to school, but my grandmother taught me traditions, respect, and values’.

Talking drums

It is during a funeral for which the appointed drum player never showed up that Manou first impressed an audience:  dragging a stool behind her, she went towards the big drums, the talking drums (‘Atombra’ in Dida, the language of the Djiboi people).  She climbed up to the height of the braced skin and started beating on them. Her mastery was already amazing.  In the heart of Bada, the village which represents the most ancient part of Divo and where traditions have remained most alive, people were just amazed: ‘Everybody was really astonished, and a bit shocked also since women are not allowed to touch these drums.  To some extent, they took me for a witch.  My grandmother was supporting me and on this occasion, she explained to me that this was a gift, transmitted to me through a dream her own mother had and who died the day I was born.  When at the age of 8, I was getting seated to play drums during this ceremony, I could feel the power of my ancestors on my fingertips’.

 

Later, the band Woya became famous in the whole Western African region.  From 1985 to 1989, they toured extensively in Burkina Faso, Mali, Togo and Bénin and recorded four CDs.  When the band Woya dissolved, Manou followed Marcelin Yacé to Abidjan.  He took her under his wing, and gave her her very first bass and taught her how to record sounds in his studio for three years.

Marcelin sent her to hone her artistic skills in the pan-African village of Ki-Yi-Mbock, where she joined a theatre troupe, learned dancing and took part in the recording of a new CD produced by Ray Lema.  In 1992, during the MASA event in Abdijan, an international market presenting art creations from all over Africa, Manou met Michel De Bock, tour manager and for Zap Mama and several African groups.  They met again several times in the Ki-Yi village and got along very well.

Bassist with Zap Mama

When Michel heard that Marie Daulne, leader of Zap Mama, was looking for a bassist, he immediately thought of the young girl from Ivory Coast and had her come to Belgium.  Manou Gallo landed on January 3rd, 1997, at 8 am in Brussels airport with her bass and djembé.  Well, she hadn’t yet won the game since Marie Daulne had just returned from Indonesia and had views on another musician:  ‘My arrival in Brussels was a real shock. A temperature shock as it was snowing.  I was dead cold at the rehearsals, sticking to my bass and as close to the heater as I could,  but I knew it was a unique opportunity that wouldn’t happen twice!  I already knew the music of the band, I had to give the best of myself and this is exactly what I did during the trials, which finally lasted three days.’. Three days during which Manou played bass, drums and djembé.  She sang and danced to warm up and after these three days she won the bet:  Marie and the other members of the band welcomed her in Zap Mama.

She toured with them for six years.  In 1999, she joined the Tambours de Brazza for a few concerts where she is the only woman:  ‘Here in Europe, I have learned to know the openness of mind, the mix of cultures and music’.  Based in Brussels, Manou appreciates the diversity of this mixed city,  but deep inside of her, she keeps a little melody in her head, straight from Divo: ‘When I go back to my country, I rediscover the colours of the sounds and the rhythms which have roared in my ears  during my childhood’. This has certainly encouraged her to write her own lyrics, mixing French, English and Dida languages to say things as they come, to rebel or to keep Marcelin Yace’s beacon alive.

Her lyrics follow the music she grew up with, but she added to it the influences she has acquired:  ‘The music I wanted to create is a mix of all the steps of my life: my story and my background have inspired me’.  To shape her music, Manou goes over one more step in 2001: She starts her own band with musicians who are also friends.  This is a bit like when, as a little girl, she was getting all her girlfriends together and distributing roles during improvised concerts in the backyards of her childhood city,  and today, along with her band ‘The Djiboi’, Manou intends to spread the music of Divo on radio waves and stages worldwide.

Dida, the first solo Manou Gallo CD

Manou Gallo - Dida

Manou Gallo – Dida

In late 2002, Manou co-produced “DIDA”, her first CD, with Michel Seba, Bilou Doneux, Patrick Dorcéan and Poney Gross from Zig Zag World. Recorded at the Dada Studio in Brussels, with special guests such as Marie Daulne, Sabine Kabongo, Lene Christensen and DJ Grazzhopa, “DIDA” received unanimous international critical acclaim.

The years 2003 and 2004 saw her projected onto the international scene with Manou Gallo & Le Djiboi, giving notable showcases in some major music events such as : the WOMEX in Seville (Spain) in October 2003, the MIDEM in Cannes (France) at the “Voices of the World” evening, in January 2004, sharing the stage with guests like Mariza, Ilenes Barnes and Stacey Kent, and the MERCAT DE MUSICA in Vic (Spain) in September 2004.

Manou has given over 100 concerts in the greatest European festivals such as: Dunya Festival in Rotterdam (Holland), the AfroPfingsten Festival in Winterthur (Switzerland), the Africa Festival in Stockholm (Sweden), the Natt Jazz Festival (Norway), the International Africa Festival in Wurzburg ( Germany), the Topicana World Festival in Bregenz (Austria), the Festival Couleur Café in Brussels (Belgium), the Open Air Frauenfeld (Switzerland), the Francofolies de Spa (Belgium), the Francofolies de Montréal (Canada), the Nice Jazz Festival in Nice (France), the Sunsplash Festival (Austria), the Nancy Jazz Pulsation (France), the Mundial Festival in Tilburg (Holland), the Dos Atlanticos Festival (Portugal), the Kesse Festival in Taragona (Spain), the Dialecta Festival (Belgium)… and in various clubs such as : the Szene in Vienna (Austria), the AB and the Botanique in Brussels (Belgium), the Kemia Bar in London (UK), the China Club and La Cigale in Paris (France), the Sala Toboo in Madrid and the Sala Tarantos in Barcelona (Spain), the  Brotfabriek in Frankfort, the Laboratorium in Stuttgart, the Malzhaus in Plauen, the Tafelhalle in Nürnberg, the Langendreer in Bochum, the Tollhaus in Karlsruhe and the Welthaus in Bielefeld (Germany), the Kulturfabriek in Kufstein and the Treibhaus in Ingolstadt (Austria)…

End 2004, Manou prepared a second “live” project which compliments the “Djiboi” project, called the “MANOU GALLO EXPERIENCE”. It’s an explosive trio where she gives free rein to her latest inspirations of a modern African woman of the diaspora. Contemporary and cosmopolitan, her inspiration comes from her travels around the world and her life in Europe but is still rooted in her origins, the people of “Djiboi” from Ivory Coast. Her unusual research is inspired by African polyrythmics which she fuses with blues, funk, groove and rock. Manou sings about Africa, Ivory Coast, its towns, its women, their pains and joys.

The year 2005 was her first tour of the United States. In May 2005, she performed two concerts at the Ollin Kan World Music Festival in Mexico City. On September 2, 2005, she gave a concert at the Arts Life Festival in Johannesburg, South Africa. In November 2005, Manou created and interpreted all the musical settings for the play “The Bogus Woman” written by the English author Kay Adshead and directed by the Scot Michael Batz. Comedienne Carole Karemera was the Manou Gallo’s partner on stage.  This work was a great hit during its month at the “Théâtre de Poche” in Brussels.

In 2006 MANOU composed her second album “MANOU GALLO” in collaboration with Patrick Dorceau. Overcoming her shyness, transgressing her cultural barriers, her education, her roots, MANOU has been exploring inside herself the necessary resources to create this very personal opus.

In March 2007 she was Manu Dibango’s guest at the Casino de Paris / France for the celebration of his 50th year in music. A 52’ documentary film “RHYTHM GAL” was broadcasted. This film recalls the incredible artistic life of Manou.

In 2008, she created her new semi-acoustic combo: the Women Band. She toured all around Europe and started to prepare the demos of her new CD “LOWLIN” (meaning travels) that she recorded in Abidjan, Bruxelles, Copenhaguen and Budapest during the summer 2009.

Among the travellers that boarded with them, came Kahdja Nin, Marie Daulne, Laïla Amezian, Lene Christensen, Manu Hermia, Baï Kamara, Tanga Rema and many others… In October 2009, she was nominated by the MAMA Awards 2009 (MTV Africa) as the “best performing artist of Ivory Coast 2009”.

“LOWLIN” is a real jewel of sensitivity, femininity and imagination! A trip into the atypical musical world of this exceptional musician. At the end of 2009, Manou was on tour with the Women band in Haïti, in Guatemala, in Costa Rica and in Quebec. In March 2010, she was the special guest of the Dutch drummer Lucas Van Merwick’s all-star band of Dutch musicians.

« LOWLIN », her 3rd album, produced by IglooMondo, was released in Europe in March 2010. In 2013, Gallo produced the second album “Rising Tide” by Mokoomba, which went on to win several awards.

Follow Manou Gall on her site.

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